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Audience Reviews for Chinatown An excellent, classic film that is suspenseful, well-filmed, and features enjoyable twists and turns. But I'm very open to someone explaining to me in detail why this is. Chinatown And The Mystery Of Mr Wicker 29-10-2016 2/2 Chinatown And The Mystery Of Mr Wicker Other Files Available to Download Description of the book The Chinatown Trunk Mystery: Murder, Miscegenation, and Other Dangerous Encounters in Turn-of-the-Century New York City by Lui, M.T.
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William Voltz. 12. Thomas Ziegler & Ernst Vlcek. Ernst Vlcek & Kurt Mahr. Ernst Vlcek & Robert Feldhoff. Robert Feldhoff. 25. Uwe Anton. 27. 00- Christian Montillon & Wim Vandemaan. Das Zweite Imperium / . Die Meister der Insel / . Das kosmische Schachspiel / . Ann Smyrner, Actress: Drillinge an Bord. Ann Smyrner was born on November 3, 1934 in Frederiksberg, Denmark as Hanne Smyrner. She was an actress, known for Drillinge. Alle Fernsehserien von A bis Z. B Gata H Kei – Yamada’s First Time (J 2010) B Team – Das Magazin (A 2010). Frederic Wertham: Seduction of the innocnet, 1954. In seiner Abrechnung mit den Comics lieferte Wertham auch Beispiele f Die Kosmischen Burgen / . Die Kosmische Hanse / . Die Endlose Armada / . Die Chronofossilen / Vironauten / . Das Heliotische Bollwerk / . Die Solare Residenz / . Das Atopische Tribunal / . Die Jenzeitigen Lande / . Scheer / Unternehmen Stardust / . Clark Darlton / Die dritte Macht / . Scheer / Die strahlende Kuppel / . 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Clark Darlton / Eiswelt in Flammen / . Kurt Brand / Levtan, der Verr. Kurt Mahr / Im Land der G. Clark Darlton / Die Seuche des Vergessens / . Clark Darlton / Ein Planet spielt verr. Scheer / Die Welt der drei Planeten / . Clark Darlton / Aktion gegen Unbekannt / . Clark Darlton / Der Partner des Giganten / . Kurt Brand / Raumschiff TITAN funkt SOS / . Kurt Mahr / Rauschgifth. Scheer / Der Mensch und das Monster / . Clark Darlton / Seuchenherd Aralon / . Kurt Mahr / Gom antwortet nicht / . Clark Darlton / Rotes Auge Beteigeuze / . Clark Darlton / Die Erde stirbt / . Scheer / Der Einsame der Zeit / . Kurt Brand / Jagd nach dem Leben / . Clark Darlton / Der falsche Inspekteur / . Kurt Mahr / Die Verdammten von Isan / . Scheer / Der Zweikampf / . Kurt Brand / Der Schatten des Overhead / . Clark Darlton / Die Toten leben / . Kurt Mahr / Die Attent. Clark Darlton / Attacke aus dem Unsichtbaren / . Scheer / Festung Atlantis / . Clark Darlton / Der Roboter- Spion / . Kurt Mahr / Die blauen Zwerge / . Clark Darlton / Die Mikro- Tekniker / . Clark Darlton / Im Zeit- Gef. Clark Darlton / Ein Hauch Ewigkeit / . Kurt Brand / Zwischenspiel auf Siliko V / . Kurt Mahr / Hetzjagd durch die Dimensionen / . Kurt Mahr / Im Halbraum lauert der Tod / . Scheer / Die letzten Tage von Atlantis / . Kurt Brand / Fehlsprung der TIGRIS / . Kurt Mahr / Die Gesandten von Aurigel / . Kurt Mahr / Die drei Deserteure / . William Voltz / Das Grauen / . Scheer / Das rote Universum / . Clark Darlton / Unter den Sternen von Druufon / . Clark Darlton / In den Fesseln der Ewigkeit / . Kurt Brand / Thoras Opfergang / . Kurt Mahr / Die Atomh. Kurt Mahr / In den H. Clark Darlton / Raumschiff der Ahnen / . Kurt Mahr / Schach dem Universum / . Kurt Brand / Hallo Topsid, bitte melden! Clark Darlton / Rekruten f. Clark Darlton / Kampfschule Naator / . William Voltz / Der Schl. Scheer / Der Fall Kolumbus / . Kurt Brand / Guckys gro. Kurt Brand / Atlan in Not / . Clark Darlton / Ernst Ellerts R. William Voltz / Geheimmission Moluk / . Kurt Mahr / Der Feind im Dunkel / . Clark Darlton / Die flammende Sonne / . Clark Darlton / Himmel ohne Sterne / . Scheer / Der Anti / . Kurt Brand / Preis der Macht / . Kurt Brand / Entfesselte Gewalten / . William Voltz / Ein Freund der Menschen / . Scheer / Der Zielstern / . Clark Darlton / Der Weltraum- Tramp / . Kurt Brand / Das Plasma- Ungeheuer / . William Voltz / Nur ein Greenhorn / . Clark Darlton / Die Geisterflotte / . Scheer / Das blaue System / . Kurt Brand / Der Blockadering um Lepso / . William Voltz / Auf den Spuren der Antis / . Clark Darlton / Unter falscher Flagge / . Kurt Brand / Der Mann mit den zwei Gesichtern / . Kurt Mahr / Die Wunderblume von Utik / . Kurt Brand / Rufer aus der Ewigkeit / . William Voltz / Der Imperator und das Ungeheuer / . Scheer / Duell unter der Doppelsonne / . Clark Darlton / Die gestohlene Raumflotte / . Kurt Mahr / Der Robot- Sergeant / . 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Kurt Mahr / Gespenster der Vergangenheit / . Kurt Mahr / Die Fabrik des Teufels / . William Voltz / Der Meisterplan / . William Voltz / Sieben Stunde Angst / . Scheer / Die Invasion der Toten / . Ewers / Das Zeitauge / . Ewers / Die Tempel von Darak / . Clark Darlton / Jagd auf den Zeitagenten / . Scheer / Ultimatum an Unbekannt / . Ewers / Die Welt der K. Ewers / Flaggschiff in Not / . William Voltz / Unter den Gletschern von Nevada / . William Voltz / Zwischen Feuer und Eis / . Clark Darlton / Der Flug nach Barkon / . Kurt Mahr / Irrweg durch die Zeit / . Scheer / Befehle aus 5. William Voltz / In geheimer Mission auf Lemuria / . William Voltz / Die Bezwinger der Zeit / . Ewers / Die Weltraumdetektive greifen ein / . Ewers / Kampf in der Tiefsee / . Clark Darlton / Die Spur f. Der Kulturfaden IIDa wir noch auf das Portugiesisch- Forum warten, dann halt hier : Morgen Abend auf Arte : http: //www. Die Geheimnisse von Lissabon. Portugal, Anfang des 1. Jahrhunderts: Auf einem geistlichen Internat erf. Mai 2. 01. 1 um 2. Uhr. Wiederholungen: 2. Die Geheimnisse von Lissabon(Frankreich, Portugal, 2. ARTE FRegie: Raoul Ruiz. Kamera: Andr. Jahrhunderts: Auf einem geistlichen Internat erf. Mit Hilfe von Pater Dinis, dem wahren Besch. Mit fast 1. 5 Jahren wird er endlich unter dem Siegel der Verschwiegenheit von Pater Dinis in das Geheimnis eingeweiht, dass seine Mutter lebt. Seine Mutter, Angela de Lima, lebt in einer ungl. Die Ehe, von ihrem Vater vermittelt, endet damit, dass Angela acht Jahre lang in einem Zimmer eingesperrt wird, w. Es ist Pedro da Silva, ein armer Adeliger, der dem Vater seiner angebeteten Angela nicht reich genug war und sie deshalb nicht heiraten durfte. Auch er suchte einst Zuflucht im Kloster und verstarb dort. Raoul Ruiz gewann mit seinem vierten Film . Er arbeitete mit Weltstars wie Marcello Mastroianni und Catherine Deneuve und adaptierte Literatur von Racine bis Marcel Proust. Er experimentiert wie kein anderer au. Dank Marcello Mastroianni, der in . Er wurde im Wettbewerb des Toronto International Film Festivals, des Internationalen Filmfests Wien, des Londoner Filmfestivals und des Torino Filmfest pr. Auf dem Filmfest in S. Mai 2. 01. 1 um 2. Uhr. Wiederholungen: 2. Die Geheimnisse von Lissabon(Portugal, 2. ARTE FRegie: Raoul Ruiz. Kamera: Andr. Im Auftrag von Angelas Vater sollte der neugeborene Jo. Pater Dinis kaufte, als Zigeuner verkleidet, den S. Hinter dem sagenhaften Neureichen Alberto verbirgt sich niemand anderes als der einstige Schwertschlucker, dem sein schlechtes Gewissen keine Ruhe l. Doch er ist todkrank und bereut seine S. Sein letzter Wunsch ist es, dass Pater Dinis Angela herholt, damit sie ihm, bevor er stirbt, noch verzeiht. Der junge Jo. Nach dem Tod des Grafen von Santa B. Mai 2. 01. 1 um 2. Uhr. Wiederholungen: 2. Die Geheimnisse von Lissabon(Frankreich, Portugal, 2. ARTE FRegie: Raoul Ruiz. Kamera: Andr. Auch Dinis hat zwei andere Namen, die Folge eines mit verborgenen Identit. Von Dinis will er nun erfahren, ob der Neugeborene Jo. Als Wiedergutmachung vertraut er dem Pater die Summe des ehemaligen L. Dieser Mann besuchte sie zwar, aber er holte sie nicht aus dem Kloster, vor lauter Liebeskummer verstarb sie. Adelaide erkennt in Pater Dinis den Liebhaber von Francisca, als er Angela im Kloster aufsucht. Angela deutet Pater Dinis an, von seinem Geheimnis zu wissen, und fragt, ob Schwester Antonia seine Schwester oder seine Geliebte sei. Au. Er offenbart ihm, dass er sein Vater ist. Ihre Mutter, Anacleta de Remedios, war die M. Seit dem Tod ihres Vaters lie. Sie hat drei Kinder, von denen der Bischof die drittgeborene Antonia nicht als sein eigenes anerkennt, weshalb sie als unwillkommener unehelicher Bastard gilt. Anacleta, die in der Tat einen anderen Liebhaber hat, vergiftet aus Rache den Bischof. Ihr Liebhaber ertrinkt, als er den toten Bischof mit einem Fass versenken will. Sp. Ein Geheimnis scheint die gef. In der Zwischenzeit ist Alberto mit der ehemaligen Geliebten des Grafen von Santa B. Und selbst Pater Dinis ist in diese Eifers. Er durchschaut erst nach einiger Zeit den undenkbaren Rachenplan seiner Angebeteten. Mit gebrochenem Herzen und im Innersten ersch. Seine Fahrt ohne Ziel entf. Chuck und Larry - Wie Feuer und Flamme (2. Stream online anschauen und downloaden auf Kino. XDie zweifelsfreie Hetero- Ausrichtung ist die gr. In der Gewissheit, dass niemand je davon erfahren wird, geben sich die beiden “auf dem Papier” als P. Outing vor Kollegen, gemeinsamer Haushalt, Hochzeit und Flitterwochen stehen nun auf dem Programm, um wirklich jeden von ihrer “Liebe” zu. Germany 1982: The country is, watch WIE FEUER UND FLAMME online, divided into two parts. Nele, coming from West-Germany, travels to, WIE FEUER UND FLAMME watch free, East-Germany where she meets Captain, singer of a band. 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Por isto perceberam que se tornaram despidos um ao outro; e ficando assim envergonhados para aparecer no exterior, inventaram algo para cobri- los; a sua compreens. Mas quando D'us veio no jardim, Ad. E D'us surpreendido comportamento; e perguntou qual era a causa deste seu procedimento; e porque, aquele que antes se deleitava nessa conversa. Mas D'us distribiu a puni. E quando a tinha privado do uso de seus p. E quando D'us tinha criado estas penalidades para eles, removeu Ad. S., 16 anos, suspeito da pr Tempo de leitura: menos de 1 minuto.A respeito da descend. Tiveram igualmente filhas. Caim trouxe frutas da terra, e de sua agricultura; mas Abel trouxe o leite, e as primeiras- crias de seus rebanhos: mas D'us se deleitado mais com a . Mas D'us, sabendo o que tinha sido feito, veio a Caim, e perguntou lhe o que tinha acontecido com seu irm. Mas, no retorno, D'us condenou Caim, como sendo o assassino de seu irm. Igualmente mandou- o, junto com sua esposa, para fora dessa terra. E quando estava receoso que durante a viagem acabasse caindo entre bestas selvagens, e por isto acabasse perecendo, D'us prop. E quando Caim tinha viajado por muitos lugares, com sua esposa, construiu uma cidade, chamada Nod, que . Aumentou suas posses com muita riqueza, pelo roubo e pela viol. Ele igualmente introduziu uma mudan. E visto que viveram de forma inocente e generosa quando n. Ajustou antes de mais nada limites sobre terras: construiu uma cidade, e fortificou- a com paredes, e compiliu sua fam. Jared era o filho de Enoch; de quem filho era Malaliel; de quem filho era Mathusela; de quem filho era Lamech; quem teve 7. Mas Jubal, que era nascido da mesma m. Mas Tubal, uma de seus filhos com a outra esposa, excedida todos os homens na for. Obteve o que quiz pelos prazeres do corpo por esse m. Lamech era igualmente o pai da filha, cujo o nome era Naamah. Mais ainda, mesmo quando Ad. Teve certamente muitas outras crian. Quanto para ao restante, seria fastidioso nome. Agora este Seth, quando nasceu, e veio aqueles anos em que ele poderia distinguir o que era bom, se transformou um homem virtuoso; e como era ele mesmo de um car. Igualmente habitaram o mesmo pa. Igualmente eram os inventores dessa sorte peculiar da sabedoria que . Agora isto se encontra na terra de Siriad hoje em dia. CAP. Mas para o grau de zelo tinham mostrado anteriormente para a virtude, mostraram agora por suas a. Para muitos anjos (1. D'us acompanhado com mulheres, e geraram filhos que provaram o injusto, e se despiram de tudo o que era bom, por causa da confian. D'us amou este homem pela sua retid. Conformemente entraram nessa arca, e sua esposa, e filhos, e as esposas de seus filhos, e colocaram nela n. Esta arca teve paredes firmes, e um telhado, e foi apoiada com feixes transversais, de modo que n. Agora Enos era o filho de Seth, filho de Ad. Esta calamidade aconteceu aos seiscentos anos de No. Agora diz que este dil. Certamente Seth nasceu quando Ad. Seth gerou Enos em seus cento e cinco anos; que, quando tinha novecentos e doze anos vividos, entregou o governo a Cainan seu filho, que estava em seus cento e nove anos. Viveu novecentos e cinco anos. Cainan, chegou aos novecentos e dez anos de vida, teve seu filho Malaleel, que nasceu aos seus setenta anos. Este Malaleel, vivendo oitocentos e noventa e cinco anos, morreu, deixando seu filho Jared, quem ele gerou quando estava em seus sessenta e cinco anos. Viveu novecentos e sessenta e dois anos; e ent. Quando tinha vivido trezentos e sessenta e cinco anos, partiu e foi para D'us; donde . Agora Mathusela, o filho de Enoch, que nasceu a ele quando tinha sessenta e cinco anos de idade, teve Lamech por seu filho quando tinha cento e oitenta e sete anos de idade; a quem entregou o governo, quando tinha vivido novecentos e sessenta e nove anos. Estes anos coletados junto aumentam a soma depois diminuem. Quando D'us deu o sinal, e come. Quando a chuva cessou, a . Mas alguns dias mais tarde, quando a . Assim depois de esperar mais sete dias , libertou as criaturas vivas para fora da arca; ele e a sua fam. Todos os escritores de hist. Que descreve as circunst. Mais ainda, Nicolaus de Damasco, em seu nonuag. Este pode ser o homem sobre quem Mois. Mas Eu irei embora at. Mas se Eu tiver, a qualquer momento enviar tempestades de chuva, de forma absolutamente not. Todavia, exigijo- lhe que se abstenha de derramar do sangue de homens, para manter- te puro do homic. Mas vou te dar um sinal de que eu deixei a minha indigna. Agora tenho testemunhas, para o que eu disse, todos os que t. Mas como a estas quest. Quanto A Torre da Babil. Estes foram primeiros de todos que deceram das montanhas para as plan. Foi Nimrod que incitou neles tal afronta e desprezo por D. Ele foi o neto de Ham, o filho de No. E que ele iria vingar- se de D. A maneira que os descendentes de No. E Foram os gregos que se tornaram os autores de tais muta. Eles eram os netos de No. Japhet, o filho de No. Por Gomer ter fundado o que os gregosa hoje chamam de G. Magog fundou aqueles que por ele foram chamados de Magogites, mas que s. Quanto a Javan e Madai, o filhos de Japhet; de Madai veio o Madeans, que s. Thobel fundou o Thobelites, que hoje s. Tharsus aos Tharsians, era o antigo nome da Cil. Cethimus tinha a ilha Cethima: que . Agora, quando eu tenho revelado algo , que talvez os gregos n. Os filhos de Ham possu. Alguns dos seus nomes na verdade totalmente desapareceram , outros de foram alterados, e outros a pronuncia deles, os toranm dificeis de serem descobertos, ainda existem alguns que t. Para um dos quatro filhos de Ham, o tempo n. Todos os filhos de Mesraim, sendo oito em n. Quanto ao resto, Ludieim, e Enemim, e Labim, que habitavam sozinhos na L. Mas para os sete outros, . Quando o seu filho mais novo viu isso, ele veio rindo, e mostrou- lhe aos seus irm. Shem, o terceiro filho de No. Elam ele deixou os Elamites, os ancestrais dos Persas. Ashur viveu na cidade Nineve; e nomeou seus s. Arphaxad deu nome aos Arphaxadites, que s. Aram criou os Aramites, que os gregos chamam de s. Dos quatro filhos de Aram, Uz fundou Trachonitis e Damasco: este pa. Sala era o filho de Arphaxad; e seu filho era Heber, de quem originalmente s. Estes habitaram dao longo de Cophen, um rio indiano , e em parte da . Agora vou tratar dos hebreus. O filho de Phaleg, cujo pai era Heber, foi Ragau, cujo filho foi Serug, a quem nasceu Nahor, seu filho foi Terah, que foi o pai de Abra. Nahor gerou Haran, quando ele tinha Cento e vinte anos; Nahor nasceu a Serug em seus Cento e trinta e dois anos; Ragau teve Serug aos cem e trinta e, na mesma idade tamb. Arphaxad era o filho de Shem, e nascido doze anos depois do dil. Estes casaram com suas sobrinhas. Nahor casou com Milcha, e Abr. Terah odiava a Chaldea, em virtude de seu luto por Haran, todos eles migraram para Haran na Mesopot. Nahor tinha oito filhos por Milcha; Uz e Buz, Kemuel, Chesed, Azau, Pheldas, Jadelph, e Bethuel. Estes foram todos os verdadeiros filhos de Nahor; Teba, Gaam, Tachas, e Maaca, nasceram de Reuma sua concubina ; mas Bethuel tinha um filha, Rebecca, e um filho, Lab. Ele era uma pessoa de grande sagacidade, tanto para compreender todas as coisas quanto para persuadir os seus ouvintes. Este seu parecer foi derivado de fen. E quando ele estava l. Berosus menciona nosso pai Abram sem nomeando- lo, quando ele diz assim: . E Nicolaus de Damasco, no quarto livro da sua hist. Quando houve fome em Cana. Depois disto, quando a fome tinha invadido a terra de Cana. E quando ele perguntou aos sacerdotes como ele poderia ser libertado destas calamidades, disseram- lhe que este sua miser. E quando ele tinha encontrado a verdade, desculpa- se com Abr. Ele ensinou a eles a aritm. No entanto, ele deu a Lot a op. Havia cinco reis que geriam os assuntos desta regi. Estes reis tinham devastado toda S. E quando eles vieram contra Sodoma, eles aramaram seu acampamento no vale chamado de po. No entanto, relativo a este lago n. Agora, quando o Sodomitas entraram na batalha contra os ass. Esse nome significa, rei justo: e esse foi, sem contesta. O primeiro deles foi chamado Eschol e, em seguida, Enner, e Mambre. Ele respondeu, e qual proveito ? Quando ele ouviu isso, ele ofereceu um sacrif. Mas estando desconfort. Assim Sarai, para obedecer este prop. Um pouco depois, ela deu a luz a Ismael; nome que pode ser interpretado como de D. O supracitado filho nasceu quando Abr. Mas ele o impos, que a fim de manter a sua posteridade n. Neste tempo,os Sodomitas se ensoberbeceram, devido . I think many of the characteristics of the New Wave - as pointed out in class- can be inferred form the differences between the last film we saw in class, Carn. I have found in Les quatre- cents coups a brand new, refreshing and overwhelming cinema. But Les quatre- cents coups is also a dense, complicated film. Its autobiographical character makes it an encyclopedia of personal feelings, opinions and nuances of an introspection by Truffaut. Technically, the main differences between Truffaut and the previous cinema is the use of camera movements and angles. Although Renoir had made a witty and fresh use of traveling and long takes, Truffaut masters this technique as anyone else does. The camera moves smoothly, it nearly swings or floats from angle to angle following an action, as if the spectator was a ghost amid real life. Truffaut enjoys playing around with the camera: extremely long takes as we have never seen in any of the previous films: some of them in the classroom, other in Antoine's friend house, or a magnificent take at the end of the film in which we see Antoine, then a panoramic view and then Antoine again, running towards the sea. He also shoots from impossible angles, like those at the beginning from below the Tour Eiffel, or the nearly zenithal take following the jogging students in the streets. Or he teases us with the fake black out, when Antoine goes down the stairs to throw away garbage. Or shows us inner feelings through close- ups: the scene in which Antoine lies to his father telling him he did not take his map. However, I think that the most important difference between previous films and this one is the treatment of action. Truffaut is an observer, a photographer of soul. He takes a fiendish delight in shooting casual, long scenes: the boy tearing away his notebook pages; the whole sequence of Antoine's arrival at his empty home is excellent: the three reflexes in his mother's mirror - in which she will look afterwards, or Antoine combing his hair, laying the table. Also the spinning ride, or the long traveling following the escape of Antoine. They are long, but not slow. They keep tension up, as if everyday acts and decisions could be heroic and transmit the greatest interest and attraction. It looks like a documentary on human life! Some comments could be made about Antoine Doinel, alter ego of Truffaut. He is a very complicated character. The most curious thing about him is that he behaves like an adult: he acts, walks and talks like a man - especially if we compare him to his teachers or his father! However, at some times I think Truffaut describes himself as being not too witty: remember the candle in the hole on the wall, or how his friend convinces him to steal the typewriter and then makes him give it back, or how he innocently copies a whole paragraph from Balzac. He wants to be an artist, but he is not - not yet. This lack of wit and fatality - he is caught but everyone around him cheats as he does- leads him to a rebellion that grows stronger and stronger. This explain why he is such a rebel and not his friend, or the other children in the class, who live in the same social group. The main topic in Les quatre- cents coups is the quest for freedom, but not in the way Renoir looked at it, in fact is closer to L'Atalante by Vigo than to Renoir's La grande illusion, for example. Renoir is more concerned by social struggle and the liberty of the people. But Truffaut is more introspective, more intimate: indeed this film is the description of life attitude of an independent spirit through the autobiographical look of the author - this is cin. We can find many elements from Truffaut's life in the film: a difficult family situation, problems at school, the Army, etc. These elements will appear throughout the film. Antoine, alter ego of Truffaut lives in the school, in his house, in the streets and finally in the juvenile detention center. In each one of these places he will find adverse situations he will have to overcome. The school The school is the first oppressing environment for Antoine. At the very beginning he is caught, by chance, with a pin- up calendar. This fatality will be recalled in Antoine's life later or - when he is caught by the porter giving the typewriter back, having been his friend's idea to steal it. He is a rebel, and nothing will refrain him from being so. He is punished, and he misbehaves again, writing in the wall an inspired poem. The school is the only place in which Truffaut makes a little bit of criticism, in this case against the education system: the three teachers are either cruel (the French teacher) or stupid (the English and Physical Education teachers). The house The house situation might be similar to that lived by Truffaut in real life. Her mother, a beautiful, egocentric and unscrupulous woman - sometimes sad, and old looking- who hates him. At the end of the film we discover that she did not want that child. This hatred and the attitude of his father - a smiley and cheerful but weak man- will add to the necessity of Antoine to flee. Truffaut gives us a Freudian wink: when his teacher asks him why he missed school, Antoine will sharply answer: 'My mom died!'The streets In the streets Antoine will find freedom, challenge, adulthood but also perversion: he becomes a man in a 1. But he will also become a criminal; together with his friend they will climb up in the scale of crime. He first skips classes. He and his friend stroll around the city, innocently. Then they begin an adult, abnormally rebel behavior: they make cars stop in the middle of the street, for example. The spinning ride is one of the few symbolic images in the film - that is another difference with Vigo and Renoir filmmaking. The scene of Antoine trying without success to fight against centrifuge force in a mad spinning trip really shocked me: he fights against reality and he is suffering, but he also has fun in it. Afterwards, he leaves home. He will learn about solitude and indeed not a single word is heard in a long sequence. I really enjoyed the long, silent scene of the milk robbery. Antoine runs outlaw like an animal, we can feel loneliness, cold, hunger, sleepiness. It is another of those long, slow but at the same time agile scenes about casual acts: drinking a bottle of milk. At the end, the streets will make him a criminal. From the moment he is caught on, he is not treated as a child anymore. He wants to be an adult, and a spell will sort of be cast on him: he will be treated as such. It is significant when he is caught by the porter. He is told not to take off the hat, which made him look like an adult. From then on, he is treated roughly as if he was a man, especially in the police station. The prison And finally he arrives at the prison, which I think is the climax of oppression - we must remember the comparisons to the Army Truffaut detests. It is maybe the simplest of the scenarios, he find himself facing what he hates with no other possibility. The ending is a sublime anticlimax. After being punished for eating the bread, Antoine goes on 'normal' life within the detention center: he visits the psychologist - an ultimate introspection by Truffaut- , receives his mother and talk to his new friends and plays soccer. And suddenly, when we least expect it, he flees. He runs, runs, runs, the longest run I have ever seen, and the most exciting. He reaches the sea: his dream, and a symbol for eternity and absolute in poetry. He splashes into the water, he stops and looks back; the first time he looks right into the camera. This has got undoubtedly a deep and very personal meaning that maybe only the author knows. It is a pessimistic or an optimistic ending? I think it is above all an out- of- this- world ending. If the simple presence of the sea, Antoine's object of liberty, is overwhelming for the spectator, how should the character feel? I really liked the final traveling: we follow Antoine's run over the sand, but the camera is facing the inland, we are waiting to see the sea as much as Antoine is waiting to wet his feet. I do not really think that he is deceived, although his look into the camera is ambiguous. I think he stares at the spectator because he has realized what the truth is: the character is now out of the film. And the truth for him, I think, is this: I can reach freedom whenever I want, but absolute freedom is impossible to achieve. He is staring at us, but he is also looking back with a grave look: he might have seen his pursuer in the distance. |
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January 2017
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